Most of my animation work starts from curiosity—a visual idea that doesn’t quite fit anywhere else, or an imagined movement that feels worth chasing. I’ve played with stop motion and abstract experiments just for the sake of seeing them through.

I bring that same sense of exploration and attentiveness to professional projects, where motion design can sharpen storytelling or clarify a message. In production workflows, I regularly build motion templates and title generators: clean, repeatable graphics that make life easier for myself and other video editors I'm collaborating with. I work primarily in Adobe After Effects and Apple Motion, and I'm always happy to learn new software platforms.

The most involved piece I’ve made was a fully animated character that introduced each module of an online course. I designed and rigged the character from scratch, handled all animation and scene assembly, and recorded and coached a voice actor in a professional studio. It took a patchwork of tools to build a cohesive, expressive character that fit the style and tone of the course.